teaching

Right of Spring

As an arts and education activist– a culturalist– I am always delving into how traditions and cultural symbols and expressions reflect our ideas and ideals, as well as inspire. This week many celebrate Passover and Easter, and recount the ancient stories of slavery to liberation, sacrifice and resurrection. Families and friends feast on foods and participate in rituals that evoke these tales, and seek relevance to our own struggles. We have  the opportunity to celebrate the newness and beauty of the nature and culture of Spring.

 

Aside from religious rituals of Spring, I was thinking about other cultural expressions, and of course Stravinsky’s “Rite of Spring” sprung to mind. For those not familiar with the music, it hardly evokes images of Spring. The music is harsh and, although interesting, is almost the opposite of the way we like to think of Spring as crocuses, chirping birds and fluttering butterflies. Similarly, the ballet, originally choreographed by Nijinsky, was initially poorly received as the dances and dancers were contrary to audience notions of beauty and grace or the loveliness of Spring. The music and ballet (and also Matisse’s “Dance” that was painted around the same time as Stravinsky’s “Rite of Spring”composition) recalled elements of paganism in an avant-garde approach. Their modernist works upended cultural notions and referenced paganism as a means to pushing cultural boundaries. If Spring was about transformation and (re)birth, the birth of modernism transformed cultural sensibilities (in frightening geo political ways as well). This modernism is over a century old.

 

We often think of Modern as new, but what is the new Rite of Spring? We still have much to transform.  A couple of years ago, the world watched as uprisings across the Arab world gave rise to what was coined the Arab Spring. There was hope and possibility in the air that dictatorships and harsh rule and economic inequalities would be transformed , and that Democracy would ensue.

 

As of this writing, the Supreme Court is examining the legal implications of gay marriage. At this moment in our history, it seems as though public opinion is far ahead of the Court on gay marriage. In previous eras, the Court created the legal paths for civil rights, and cultural attitudes had to adjust to the legal reality. Now, we have a different situation: The Supreme Court is wrestling with the right to marry after the cultural shift toward marriage equality for gay couples. This is the Right of this Spring. Now we need new cultural arts compositions to reflect our new ideals and inspire the next generations.

The After Life of Pi

Happy Pi Day!

Pi Day is celebrated on March 14th (3/14) around the world. Pi (Greek letter “π”) is the symbol used in mathematics to represent a constant — the ratio of the circumference of a circle to its diameter — which is approximately 3.14159.

Pi has been calculated to over one trillion digits beyond its decimal point. As an irrational and transcendental number, it will continue infinitely without repetition or pattern. While only a handful of digits are needed for typical calculations, Pi’s infinite nature makes it a fun challenge to memorize, and to computationally calculate more and more digits.http://www.piday.org/learn-about-pi/

The idea of and for Pi Day is to celebrate Pi (which also happens to be Albert Einstein’s birthday). In elementary schools and university Mathematics departments, students and teachers celebrate with anything associated with the number 3.14….. and eating pies, and probably watching the movie The Life of Pi (which has nothing to do with figuring out how many digits follow 3.14159 or the ratio of the circumference of a circle to its diameter). For the young students, Pi Day can be an introduction to geometry, ratios, and noticing numbers and the significance of patterns. For the university level (and beyond), Pi Day is celebrated with contests and the joy of playing with numbers and seeking to go beyond our current level of calculations. For the rest, those beyond the early education years and not serious math enthusiasts, Pi Day is cute, and reminds us of the very basic math concepts and rules that our younger students are celebrating today. For too many, our abilities and interests  in Math do not extend beyond the elementary Pi Day.

If Pi Day (or Black History Month, or Women’s History Month), or any other demarcated subject celebration, is to truly have an impact, we must go beyond the superficial celebrities of the celebrations. Pi Day (and Black History Month and Women’s History month etc…) may have initially raised awareness and interest in subjects and important personalities associated with the subjects, but when we keep these celebrations as peripheral to our everyday learning, we limit our abilities to expand .

Too often, after the early years, Math is taught as a series of rules, and those who are not particularly interested in using these rules, often miss opportunities to connect the rules to other applications, or developing mathematical awareness. So many people who are not driven toward studying or working in STEM fields, somehow get through their math courses without acquiring much mathematical knowledge. Few develop the appreciation to see mathematically.

As one who has more of an artistic temperament and appreciation than a mathematical habit of mind, I encourage others to learn more about seeing mathematically. One of my favorite writers on the subject of math is Steven Strogatz. He wrote a series in the New York Times entitled “The Elements of Math”, where he made mathematical concepts available to anyone by real life examples that were expressed in delightful prose. It was like being a tourist with a personable, interesting, caring, and joyful tour guide through some mathematical terrain.  I also recommend Strogatz’s book The Joy of x: A Guided Tour of Math, From One to Infinity.

http://www.stevenstrogatz.com/the_joy_of_x.html

Whether it’s Pi Day or any other subject celebration, we need to use these reminders that rather than superficial celebrity celebrations or simple associations, these are starting points. We can integrate these important lessons into other subjects and contexts and develop greater understanding and appreciation, as well as cultivate new habits of mind that we may have missed along the way.

So, Happy Pi Day!  And may you explore infinite possibilities!

Good Work

For many, work may or may not be enjoyable, but it is doable. They have the proclivities and skill sets to manage their tasks, and with the appropriate disposition and drive, will continue to reap the rewards of their work as well as have opportunities to expand. This is true for any work, including school, from the earliest years, although certainly skill sets, habits, and mastery develop over time.

For many others, work and school may or may not be enjoyable, but can be extremely difficult to do. They may have circumstances and/or proclivities that impede their abilities to develop skill sets and manage their tasks, and perhaps for a variety of reasons, lack the appropriate disposition and drive to work. It is certainly easier (and more rewarding) to teach,parent,coach,manage, and inspire talented and driven kids and adults. What about those, who for any number of reasons, do not respond positively to the work? For those who are successful (in any sense), it is difficult to understand why those less successful don’t just adopt successful practices. It is frustrating for those trying to educate, parent, coach or manage those who don’t “get with the program”.

Our attempts to develop good students and good workers are fueled by our cultural concepts of work (and success). We seem to be a bit confused. In the last generation, we have seen not just an increase in busyness, but a cultural shift that supports busyness. Perhaps we are confusing busyness with good work.

We can do a better job of supporting our next generation meet the adult world and its attendant tasks, by allowing kids to experience work as more than being busy. For some kids, work is particularly effortful when circumstances and proclivities inhibit abilities and attention. They are often not able to be effective. While we may not all be able to do ideal work or derive joy from our jobs, we can do good work in our communities. Many schools over the last generation have added community service requirements. (I don’t like the term community service as it connotes parole.) The intention to create caring citizens is indeed admirable. Now we need to extend what was started, to  truly value work that contributes to others as good work.  Too often kids accumulate hours without connecting to new people or ideas. This is busyness, even when the tasks are for good causes. Much of the busyness of our lives is necessary, but we could still be less busy and do better work, by expanding “the program” and including all types of kids and adults. Contributing to others and broadening and strengthening our communities, and yes, bridging our schools to the greater community, strengthens the best in all of us and enables us to discover skill sets that may not have been tapped thus far.

culture of education/education of Culture

Throughout my years as an educator, I have infused my lessons with works of art–from literature to paintings, to plays and movies, as well as dance and music. I don’t really know how to teach english or history or even government (remember civics???) without drawing upon Cultural  examples.  Our kids are often taught in schools that have relinquished the arts and Culture to nonschool life. How can we say that we are educating without Culture?  How can we outsource the arts; extricate it from formal schooling? To be educated is to be Cultured. To be Cultured is to be educated. When the arts are available as an extra-curricular option, or only to the wealthiest, we deprive our culture of excellence and opportunity.  I’m thrilled that there are so many out-of -school and extracurricular opportunities for students to engage in an art form, but we seem to have lost the connectivity that the arts inherently provide. We have also separated the artist from the teacher–except in the cases of the art or music, or the even rarer dance teacher. We employ school teachers who are often stifled and who must be managers first and foremost. They are often not even creators of their own curricula and must adhere to prescribed lessons and assessments. Creativity must return to education, and cultural centers must also play a greater role in educating our communities.

This is the beginning of a broader conversation. I invite readers to share ideas and practices that bring together the arts and education beyond the basics and beyond the early years, after which,  subjects become more segmented, and students’ lives are more rigid.  Educators, parents, students, artists, musicians, dancers, civic leaders and laypeople…..please share creative ideas.