United States

Patriot Acts

Happy Juneteenth! June 19, 1865 became known as Juneteenth, after the last of the slaves, those in Texas, were finally free. Although President Abraham Lincoln’s Emancipation Proclamation dates back to September 1862, and took effect the following January, the last of the states to finally emancipate slaves was Texas. In Texas, Juneteenth has  been an official state holiday since 1980.  There are currently 42 states and the District of Columbia which recognize Juneteenth as either a state holiday or special day of observance.

For many, reading The Emancipation Proclamation has become the traditional Juneteenth celebration. I hope that more Americans are considering the importance of Juneteenth. As we grapple with current definitions and interpretations of freedom and the challenges we must meet in today’s world, I often look to inspiring acts of patriotism from the world of the arts and culture. Creativity comes from freedom. American arts and culture is replete with what I like to call, “patriot acts”. These works, a tiny sampling here, are inspired and inspiring, and invite us to celebrate as well as create more “patriot acts”. I’m sure you will find many, many more to enjoy as well.

Ray Charles, America the Beautiful

http://youtu.be/1OTRRzSuWro

Aaron Copland, Fanfare for the Common Man

http://youtu.be/1TLV-4HJ41s

Dylan Smith
Trumpet BM Degree Recital
Eastman School of Music
April 3, 2010

“America”-West Side Story, (1961) Rita Moreno, George Chakiris

http://youtu.be/P50NXB3R4sc

Jasper Johns, Flag, 1954-55

http://youtu.be/9bWJt2hjBH0

Billy Holiday-Strange Fruit

http://youtu.be/Web007rzSOI

Joffrey: Mavericks of American Dance-American Masters

http://youtu.be/Jh_DpDXdvkA

Richie Havens-Freedom (Woodstock 1969)

http://youtu.be/W5aPBU34Fyk

If Memory Serves….

Originally called Decoration Day, Memorial Day, celebrated today, the last Monday in May, is observed in remembrance of those who died in service to our country. More accurately, Memorial Day is a national holiday recognizing military personnel who died during war. For many, the memorial aspect is secondary to the barbeques  and pool openings and retail bargains and the unofficial commencement of summer. For others, Memorial Day is about patriotism. For them it is literally about their loved ones being wrapped in the flag.

Decoration Day was initially a day set aside to place flowers or other decorations on the graves of Civil War soldiers. It was not a national holiday at the outset, and Northern states observed Decoration Day on a different day from Southern states. After WW1, the nation as a whole began to commemorate soldiers who died in war, and Memorial Day has become a tragic tradition that unites us in loss, as so many have died in so many wars,with the expectation that there will always be more.

Unlike the Civil War, or even the World Wars , Korea and Vietnam, today the country acknowledges those lost in wars, but many citizens have not experienced the loss personally. Military families are no longer all families. But service should be in all families. Whether or not it is military service, perhaps we can use this Memorial Day to consider service in its myriad possibilities for bettering our communities and our country.

Many people give their lives to service. They may not lose their lives to service, but find that in serving others, they are creating better communities. We need to consider these acts of national pride as well. In addition to military personnel, police and firefighters have chosen careers that put themselves in harm’s way in service to our communities. We should remember them. We should acknowledge them. We should be more connected to those members in our communities who service us. Teachers service us. No, they do not risk life or limb except in unusual circumstances, but the choice to teach kids is in service to our communities and to our nation. We have begun to encourage young people to serve–not just militarily, but in numerous ways in their communities. This Memorial Day, as some decorate graves of fallen soldiers, and others fire up the grill, let us consider the prospect that the term servicemen or servicewomen need not be limited to the military. If memory serves, then let us all be servicemen and servicewomen. Let us give more of our lives without losing them to violence in the name of freedom.

Script

Cursive!… Foiled again!

Among the seemingly perennial issues in education, there is a resurgence in the concern over no longer teaching handwriting (i.e.cursive English). Given that education is one of those paradoxical institutions that on the one hand has as its aim to prepare for the future, it is also, more often than not, conserving the past. The present state of education is one that generally feels like it is behind the present moment in the rest of our culture. K-12 education tends to play catch-up, rather than lead the culture. As schools across the country are debating and implementing the new Common Core Standards, many teachers have suggested that something’s got to go, and that something will be handwriting, as keyboarding has more  cultural relevance.

Many lament the notion that students may no longer learn cursive. For some, it is a cultural  loss for the next generation(s). In some scientific and educational communities, some point to studies suggesting an academic advantage for elementary students who learn cursive over those who don’t. Is learning cursive a necessity today?

With limited time and money,and mandated testing, many teachers have suggested dropping handwriting lessons from the curriculum. Certainly keyboarding is a necessity in everyday life in ways that handwriting is no longer requisite. Of course there are people who never mastered penmanship and were/are quite intelligent and high achieving. Physicians are not the only ones who can’t write a legible script in script. For those  who are dysgraphic, or perhaps less severely, just not good at handwriting, keyboarding is a gift, and can transform their written communication and ability to achieve. However, one of the more interesting arguments for teaching cursive, is that in practicing the smooth movements connecting letters, mental connections are also made, that are not replicated in keyboarding. The argument continues that even learning to read cursive writing advances certain mental capacities for making connections, as we see and interpret connected symbols.

What may have begun as picking up a twig or a rock and etching symbols in dirt or on caves, progressed into handwriting. With the quill and ink, cursive became more developed as the writing method was employed to limit spills and breakage. Of course, in our age, the keyboard is the most expedient form of non-vocal communication. The most obvious sacrifice in abandoning learning cursive is the individuality–the signature.Even learning the uniformity of the cursive alphabet, handwriting is a uniquely individual enterprise. It can be honed, but handwriting is still not quite anonymous. It’s personalized.

Many cling to teaching handwriting as part of a cultural heritage. Some regard penmanship as an art form. Others tout the importance of fine motor skill development as well as it’s connection to brain development. The detractors focus on the imperative of teaching the most necessary skills for the moment, and handwriting seems like a cultural remnant–irrelevant to the tasks of the future.

It seems to me that the arguments for and against teaching cursive are essentially from a tired script. Many debates in education seem to be either/or in nature. Teaching cursive is slow, and there are so many other things to test. But if teaching cursive can help develop both left and right hemispheres of the brain and their connectivity, then maybe we need to look at other ways to teach and practice writing script. We don’t need to teach cursive just because it was our script. Handwriting may never be used the way it was prior to this moment in history. However, like science, math, history, language, physical education and art, it is a way of seeing and doing that creates connections, and making connections is essential to creativity. Perhaps rethinking our script about teaching script as a remnant of the past, to a practice of creativity, makes handwriting the future.

Future Tense

It used to be that the future was exciting.  Of course, that was in the past. Now, in the present, yesterday’s future, we fear the future. Whether it’s: terrorism, nuclear obliteration, the next super-bug, or super-storm; climate change, crushing debt, or no more jobs; politicians who don’t stand for us, corporations who speak over us, horse meat and hormones, or unriching education, we are growing increasingly more tense about the future.

We have ample evidence today that we have many issues to tackle.  Even more disconcerting, is the rationale against tackling issues. We see how seemingly intractable so many problems have become. People across the political spectrum have dug in their heels, and have been most concerned with ideological purity and political power. Instead of climbing mountains, or even seeing that shining city on a hill, we’re staring down fiscal cliffs. Cynics have divided us into makers and takers (although I’m not sure everyone would agree who’s who). Hope and change became nope and same. Everyone is disgusted and fearful.

Despite the reality upon which our fears are based, we are becoming blinded by the fear. When teaching History to high school students, I remind them of other periods when the world seemed like it was about to end, or at least had turned very dark. When they can imagine their grandparents’ world, and that life continued, and the future included their lives, they can begin to shift their perspectives.

History is a great teacher. So too are the arts. The combination is most effective in conveying ways in which humans have confronted issues and experienced difficulties and forged new ways to shape lives and communities. I encourage teachers to include paintings and music, as well as dance and theatre in their History classes. I also encourage a fusion of History with Math and Science, and of course integrating the arts in those classes as well. Perspective is important in each subject (and in life), and is easily exemplified in the arts. Students in Language Arts classes learn perspective (person) in grammar and literature (through character and voice). Education is not merely the accumulation of facts. It is in fact to enrich (not unrich) our lives; to broaden our perspectives.

As a nation, we have been struggling with accountability in education. Students are assessed; teachers are assessed; and schools are assessed. I’m not sure that our assessments are  actually geared toward improving education, despite the good intentions. Moreover, the focus on those assessments as the determiners of future status for students, teachers, and schools, has created greater tension and a more limited education.

Given the many challenges that we must meet in our schools, our communities, our politics, and in all aspects of our lives, it is easy to be cynical and fearful. When we are fearful, we shut down possibilities. When we nurture our creative instincts, we begin to think in the future tense, creating possibilities and improving  what was started.

The Return of Mad Men

Waxing nostalgic? Thinking about those bad boys from what seems like an entirely different culture? Well, this week takes us out of our comfort zones, as we consider how we will deal with the young Supreme Leader of North Korea, Kim-Jong-un, after news reports of his seeking to instill fear in South Korea and the US, with intimations of nuclear weaponry and potential attacks. While listening to a news program on NPR today, one of the esteemed guests was asked if this meant that Iran was no longer our greatest nuclear threat. The guest replied that now North Korea is a more urgent nuclear threat. There was not much consolation in that response. I’m so glad that Dennis Rodman recently took a jaunt to hang with Kim Jong-un; a guy he seemed to get along with quite well. That should have put us on alert before this week!

Of course throughout history there have been numerous mad men. The kinder term in modern politics has been strong men–men who lead authoritarian regimes who claim to create a new nation, while oppressing, and /or murdering en masse, citizens and other innocents.  The old cartoons (and for our younger viewers of The Austin Powers series), these Boris Badinoff, Lex Luthor, The Joker, Dr. Evil….etc…. are ridiculous and comical. Hitler, Stalin,Ceausescu, Pol Pot,Pinochet, Idi Amin, Saddam Hussein, Osama Bin Laden….just to name a few… There are so many more to name just in the last 50 years.The list really starts from the beginning of time, and continues on past today.

These despots are of a particular category of mad men. There are also the Adam Lanzas and the James Eagan Holmes types,who are unstable and well armed, and open fire on innocent people. They are indeed dangerous to society, but at least are not in positions of political power.

This week also marked the 45th anniversary of the assassination of Dr. Martin Luther King, Jr.  He was a man with a vision of racial equality achieved through non-violent civil disobedience  who was gunned down. While we remember with heavy hearts,and continue to  extend civil rights to all, we must also remember that MLK Jr. was considered a threat by J Edgar Hoover, head of the FBI . Who were the real mad men?

The uptick in inflammatory rhetoric this week, emanating from the cloistered nation of North Korea’s media, is threatening and a bit confusing. It is difficult to discern what’s possible in this situation. While there are many in this country who offend other’s political opinions (and sensibilities), we must be vigilant in distinguishing agitators from true mad men. Violence and threats of violence must always be taken seriously, while strengthening  democracy through non-violent means and expanding civil rights must always be championed.

Boy, am I looking forward to starting the week off with Don Draper and Roger Sterling!

Art Forms

I have no particular talent. I can carry a tune, so I can sing along, but my voice is not particularly interesting or especially pleasing. Likewise, I can enjoy dancing, and have some rhythm, but my ability to retain choreography is lacking. Even basic party crowd pleasers can be awkward for me. I’m a lousy photographer. Actually, I’m no photographer at all. At least I have a phone. I can’t paint or draw or sculpt. I took piano lessons for a few years as a kid, and can’t play at all. I didn’t dare try any other instruments. I enjoyed being part of stage productions, but not because I was any thespian. I just had fun despite my lack of talent.

For me,creating art in any variety, was an alien experience. What I heard musically, I couldn’t reproduce (except in an ordinary voice, best blended among other voices and instruments). What I wanted to capture with a camera, rarely appeared as I saw it. Dance as rhythmic movement to music was always a good diversion, but memorizing steps was not natural for me. There seemed to be a disconnect between my memory and my feet. Likewise with the piano: I could hear the way the music should be, but my fingers couldn’t reproduce it. And the graphic arts eluded me entirely. Yet, I have always gravitated to the arts. The arts may not have been my  own expression, but learning to appreciate the arts and how to see art, hear music, and how the body can move, has shaped my entire life.

Like language, arts reflect cultural attitudes as well as manifest individual expression. The more one learns the grammar, the more one can access and comprehend and be enriched. I may lack certain abilities necessary for producing my own art form, but I have learned how to see and hear–how to appreciate, and that appreciation of all forms of art and their connections to all of life has enhanced my life experience.

As an educator, I can not underscore enough the power and significance of developing an appreciation for the arts. It is part of literacy. Like language, the arts connect ideas with expression. They are not peripheral. Not everyone needs to have artistic talent, but the arts are necessary for everyone. We need not be practitioners, but we do need to cultivate our appreciation and train our senses. Art is a human instinct. It drives culture. Art forms.

culture of education/education of Culture

Throughout my years as an educator, I have infused my lessons with works of art–from literature to paintings, to plays and movies, as well as dance and music. I don’t really know how to teach english or history or even government (remember civics???) without drawing upon Cultural  examples.  Our kids are often taught in schools that have relinquished the arts and Culture to nonschool life. How can we say that we are educating without Culture?  How can we outsource the arts; extricate it from formal schooling? To be educated is to be Cultured. To be Cultured is to be educated. When the arts are available as an extra-curricular option, or only to the wealthiest, we deprive our culture of excellence and opportunity.  I’m thrilled that there are so many out-of -school and extracurricular opportunities for students to engage in an art form, but we seem to have lost the connectivity that the arts inherently provide. We have also separated the artist from the teacher–except in the cases of the art or music, or the even rarer dance teacher. We employ school teachers who are often stifled and who must be managers first and foremost. They are often not even creators of their own curricula and must adhere to prescribed lessons and assessments. Creativity must return to education, and cultural centers must also play a greater role in educating our communities.

This is the beginning of a broader conversation. I invite readers to share ideas and practices that bring together the arts and education beyond the basics and beyond the early years, after which,  subjects become more segmented, and students’ lives are more rigid.  Educators, parents, students, artists, musicians, dancers, civic leaders and laypeople…..please share creative ideas.